Nackt self shut brandenburg havel

Mit Felix allerdings meinte es das Schicksal nicht gut, schon mit Mitte zwanzig starb er 1879 nach langer Krankheit an der Tuberkulose.Brahms hatte ihn ein Jahr zuvor noch während einer Italienreise in Palermo besucht, wo Felix auf Kur war.The theosophical movement, based on the writings of Helena Petrowna Blavatsky (1831-1891), had won a considerable following, as one historian reports, among ”thinking people who felt intellectually and spiritually cut adrift, unwilling or unable to choose between the sterility of scientific positivism and the impotence of a diminished church.”9 Its harmonizing notion of ”the One Life, the Soul of the World, the ultimate reality in which each living thing shares” and of which every thing that exists is a kind of emanation, appealed especially to those, chiefly in the non-commercial or pre-industrial middle and upper classes, who felt threatened by the growing power of big business and organized labor in late Wilhelminian Germany and rejected the utilitarianism and crass selfish or class interests – the ”materialism,” as they called it – that they saw displacing long established, communally respected traditions and values.Oppressed by what they perceived as the decadence of the age and the degeneration of the German people as a whole, these disaffected elements were drawn to a variety of movements promising regeneration of both the individual and the social fabric and commonly grouped under the umbrella concept of Instead of a unified and harmonious nation, it was felt in the circles of the disaffected that the long-desired and long-awaited breakthrough to a new, united Germany in 1871 had brought alienation, fragmentation, selfish and unrestrained pursuit of individual gain, and bitter class conflict.



Goethe’s nature-philosophy was sometimes integrated into this tradition and exercised an unmistakable influence on Rudolf Steiner, who devoted his earliest writings to the national poet and later named the temple of his anthroposophical faith after him.”15 (Baldur, the god of innocence, beauty, joy, purity, and peace, was the son of Odin or Wotan, the Norse or Germanic father-god, and is presented throughout the play as a native Germanic blend of Prometheus and Christ.16) Fahrenkrog’s play was performed in the open-air ”folk” theater at Thale in the foothills of the Harz Mountains, which had been founded and was being managed by the writer and publicist Ernst Wachler, another champion of ”Germanic” and ”Nordic” superiority.


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