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It is perhaps no accident that the factuality of the Italian Renaissance has been most vigorously questioned by those who are not obliged to take a professional interest in the aesthetic aspects of civilization—historians of economic and social developments, political and religious situations, and, most particularly, natural science—but only exceptionally by students of literature and hardly ever by historians of Art.The word also occurs in Jules Michelet's 1855 work, Histoire de France.Yet it remains much debated why the Renaissance began in Italy, and why it began when it did.Accordingly, several theories have been put forward to explain its origins.Luxuries from the Eastern world, brought home during the Crusades, increased the prosperity of Genoa and Venice.Jules Michelet defined the 16th-century Renaissance in France as a period in Europe's cultural history that represented a break from the Middle Ages, creating a modern understanding of humanity and its place in the world.

Some scholars, such as Rodney Stark, play down the Renaissance in favor of the earlier innovations of the Italian city-states in the High Middle Ages, which married responsive government, Christianity and the birth of capitalism.was a period in European history, from the 14th to the 17th century, regarded as the cultural bridge between the Middle Ages and modern history.It started as a cultural movement in Italy in the Medieval period and later spread to the rest of Europe, marking the beginning of the Modern age.In politics, the Renaissance contributed to the development of the customs and conventions of diplomacy, and in science to an increased reliance on observation and inductive reasoning.

Although the Renaissance saw revolutions in many intellectual pursuits, as well as social and political upheaval, it is perhaps best known for its artistic developments and the contributions of such polymaths as Leonardo da Vinci and Michelangelo, who inspired the term "Renaissance man".This analysis argues that, whereas the great European states (France and Spain) were absolutist monarchies, and others were under direct Church control, the independent city republics of Italy took over the principles of capitalism invented on monastic estates and set off a vast unprecedented commercial revolution that preceded and financed the Renaissance.

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